Wednesday, December 16, 2009

Barbados to host 'Best of CaribbeanTales'

From the Jamaica Gleaner

Published: Wednesday | December 16, 2009

by Mel Cooke, Gleaner Writer

Following its strong presence across the region last year with the feature film, A Winter Tale, CaribbeanTales, the Canada-based multimedia company run by Frances-Anne Solomon, will be holding the 'Best of CaribbeanTales Film Festival and Symposium' in Barbados.

Officially launched in Bridgetown last Tuesday, the event includes a one-day symposium on Global Distribution, a film Market, workshops, master classes and educational screenings. It runs from February 23 to March 10 at the Olympus Cinema, Sheraton Centre and at University of the West Indies, Cave Hill campus.

In an email interview, Solomon said the response to the launch "was overwhelmingly positive", emphasising the importance of the teamwork that is giving the festival a boost.

"One of the most positive aspects of the festival is the strength of the partnerships that we have forged this year. Alongside One Caribbean (the largest media company in the region) which will be co-hosting the Symposium on Global Distribution, UWI's Shridath Ramphal Center, that will co-host a film Market at the festival, and the Barbados Film and Video Association, that will host a workshop at the festival, we also have a stellar core team comprising Mary Wells (Jamaica), Mitzi Allen (Antigua), and Lisa Wickham (Trinidad), that will assist me in the programming, management and promotion of the festival," she said.

Weighing options
She said Barbados was chosen as the host country for three reasons - "it is central, accessible and beautiful and "we expect many people from all over the world to attend because of this location ...".

There is, however, the possibility that the 'Best of CaribbeanTales Film Festival and Symposium' will move around the region, as Solomon said, "in the future we are exploring other islands as possible locations. We have had a number of offers and are weighing options."

She pointed out that, "it's a regional event, and so will bring together people from around the region. It will bring lots of international visitors to the region. It will bring everybody together to strategise about how to create an international vision."

The symposium on Global Distribution takes place on February 24, with the first ever Caribbean Film Market on the following day.

Solomon said the new associate directors are "people who I worked with over the past years, whose work I admire greatly, and with whom I share a vision and commitment to developing an industry that serves the needs of our films and those of the Caribbean film industry as a whole."

Adding, "I have known Mary Wells for several years and she is quietly a very talented, generous and visionary person. You need all these qualities to hold a vision that includes all of our movies and the whole industry. Lisa Wickham is an extraordinary businesswoman and fantastic public relations person, who also has a big picture of what we need to achieve to sit on the world stage as filmmakers and as an industry. And Mitzi Allen is a pioneer and warrior."

The 'Best of CaribbeanTales Film Festival and Symposium' caps off CaribbeanTales' first five years and Solomon said the company "has exceeded my expectations 100 fold. The growth of the company has, luckily for us, mirrored the growth in interest in the Caribbean and its brand, and so we have seemed to ride that wave, at the same time, I believe, as contributing to it".

"The low points have been, as always, trying to raise money. The high points have been connecting with like-minded people from all over the world to do something that helps everyone, and makes all of us special and feel useful and good," she said.

"The projection for the next five years is to take Caribbean film to the international stage and establish it as a brand alongside Hollywood, Bollywood and the British film industry, in terms of quality, viability and audience reach. In order to do this, we have to develop a business model for production and distribution that draws on skills and the help of all stakeholders: government, private sector, broadcasters, distributors, and cinema owners, to make it work," she said.

"That is what we are on course to achieve in the next five years."

Photos: (top to bottom) Frances-Anne Solomon, Mary Wells, Lisa Wickham, Mitzi Allen.

Monday, December 14, 2009

Frances-Anne Solomon's acclaimed movie A WINTER TALE, starring Peter Williams and Leonie Forbes, makes it's Canadian Television Premiere on Bravo!

Toronto – December 11th 2009

Following a string of successful North American festival premieres, theatrical releases, and international awards Frances-Anne Solomon’s acclaimed feature film A Winter Tale comes to television audiences across Canada. The film, which features a talented ensemble cast led by Canadian star Peter Williams, rising Toronto actor Michael Miller, and famed Jamaican actrsss and Gemini nominee Leonie Forbes, will have its Canadian television premiere on Bravo! Canada on December 17th at 9pm.

Written, directed and produced by Frances-Anne Solomon, A Winter Tale tells the moving story of a Black men's support group that forms at a local Caribbean takeaway restaurant after a young boy is killed by a stray bullet. With a plot that sensitively explores the psychological effects of the universally relevant issues of urban "Black on Black" violence, the film beautifully captures the day-to-day emotional struggles of this group of men, and a community under seige.

Over the past 18 months A Winter Tale has travelled the world, garnering rave reviews and international recognition through film festivals and cinema releases in Toronto, Montreal, Halifax, New York, Los Angeles Africa, the Caribbean, and the UK.

Most recently it won recognition at Fespaco (Africa's Oscars held biannually in Burkina Faso, West Africa). Other awards include Outstanding Canadian Feature Film Award at the ReelWorld Film Festival, as well as the top awards at the Trinidad and Tobago Film Festival, the Zuma International Film Festival (Nigeria), and many others.

A Winter Tale was developed through a collaborative improvisational process by Vancouver-based theatre director Michele Lonsdale Smith and Frances-Anne Solomon, working together with an extraordinary team of experienced and emerging Canadian and international actors, including Trinidad and Tobago's Dennis "Sprangalang" Hall, and Canada's Valerie Buhagiar.
* * * * * * * * *

SELECTED REVIEWS OF A WINTER TALE:

Caribbean Release - 2008

Television stars in Antigua for debut of acclaimed film - 19 May 2008
The Trinidad Guardian -Online Edition Ver 2.0 - May 18, 2008
A Caribbean filmmaker - May 18th 2008
`A Winter Tale` To Open In Trinidad & Tobago - May 12, 2008
Winter Tale cast arrives for premiere - May 9 2008
Tale of Racism and Healing - May 3 2008
‘A Winter Tale’ impresses Jamaica audiences - April 13, 2008
'A Winter Tale' tells of manly chill - Jamaica Gleaner, Jamaica - April 9 2008
Peter Williams finds 'Wright' role in 'A Winter Tale - April 6, 2008'
'A Winter Tale' makes Jamaican debut - Jamaica Gleaner, Jamaica - April 6 2008
Peter Williams finds 'Wright' role in 'A Winter Tale' - Jamaica Gleaner, Jamaica - April 5 2008
'Winter' in April - Jamaica Gleaner, Jamaica - April 5 2008
‘Winter Tale’ makes TT debut - Trinidad News, Trinidad and Tobago - April 1 2008
Leonie Forbes - On becoming myself - Jamaica Gleaner, Jamaica - March 30 2008
A Winter Tale, starring Leonie Forbes, heads to Jamaican theatres - February 28, 2008
Trinidadian Migrant`s Film Makes BAM Screening Again - February26, 2008

Canada Press
Film examines poverty, gun crime - The Guardian - Etobicoke, 07 February 2008
Something to talk out - Toronto Sun, 04 February 2008
Watching and talking about violence in Toronto - February 5, 2008
A Winter Tale Tells Our Story - Community Contact - August 30 2007
Stepping Up in A Time Of Sorrow - Montreal Gazette - August 29 2007
Capsule Reviews of Selected 2007 WFF Films - Montreal Gazette - August 24 2007

World Premiere of A Winter Tale
Expose - A Winter Tale is pure fireworks

A Winter Tale: An Interview with Frances-Anne Solomon - April 9 2007
This Weekend "A Winter Tale" opens at Rainbow Cinema Woodbine ...
A Winter Tale - The Movie - Wikipedia, the free encyclopedia
Flickr: Photos from frances-anne solomon
A Winter Tale by Frances-Anne Solomon’s Vox :::::: VUVOX
Today@York: A Winter Tale screening - Confronting violence through ...
More News: Free screening of A Winter Tale will be followed by an ...
The Movie that is creating a buzz in Toronto, A Winter Tale
Weather is right for A Winter Tale
WE FILM - A WINTER TALE

*****************

Frances-Anne Solomon is an award-winning filmmaker, writer, director and producer. She is the president and artistic director of the two companies she founded: Leda Serene Films and CaribbeanTales, and has also worked as a film and television drama producer for the BBC.

Recent projects include A Winter Tale (for Telefilm Canada/CHUM Television); Heart Beat (Bravo!) which profiles Caribbean musical creators; Literature Alive, a multi-facetted multimedia project profiling Caribbean authors; and the Gemini-nominated Lord Have Mercy!, Canada's landmark multicultural sitcom, for Vision TV, Toronto1, APTN and Showcase.

Peter Williams, Jamaican-Canadian film and television star, plays Gene in A Winter Tale. Williams' film credits include Catwoman, Chronicles of Riddick and Stargate SG-1.

Leonie Forbes has graced the silver screen in major Hollywood pictures, performed in dozens of theatrical productions, and has worked as a radio broadcaster and programmer in Jamaica. Her selected credits include:Old Story Time, Arawak Gold, Champagne and Sky Juice, and Smile Orange. Her film and television credits include: Shattered Image, Milk and Honey, Passion and Paradise, What My Mother Told Me, and Children of Babylon.

Thursday, December 10, 2009

Dawn Wilkinson's Devotion


Producer Bobie Taffe and her team produced this video profile of filmmaker Dawn Wilkinson whose feature film Devotion is being screened at the CaribbeanTales Youth Film Festival.

View "Dawn Wilkinson - Devotion" from Frances-Anne Solomon on Vimeo.

SWEET DEVOTION: During her final year of a BA in Women’s Studies and African Studies at U of T in 1996, Dawn Wilkinson took a one-week filmmaking workshop in Mount Forest, Ontario, that persuaded her to pursue a life behind the camera. The young writer had been crafting plenty of fiction and literary criticism in her classes, but, at the screening of her five-minute film, she was floored by the “immediacy” of the response. “Seeing people connect to my story was something I’d never fully experienced with my writing.”

In 1999, Wilkinson studied at the Canadian Film Centre Directors’ Lab in Toronto. She also served as a director observer (in which a young filmmaker-hopeful watches an established pro at work) during the shooting of the movie Hurricane, with director Norman Jewison (BA 1949 VIC). Wilkinson had established the production company, Afterlife, in 1998, and has since made four short films, as well as several documentaries.

Her first feature, Devotion, recently won the Audience Award at the 2005 Reel World Film Festival in Toronto. The movie explores the concerns of belonging and alienation facing an 11-year-old biracial girl. Alice, the main character, also struggles with her mother’s death, caused by her father’s drunk driving. “The plot is not about being biracial; it’s about her not fitting in at school, about not getting along with her dad. Being biracial is the lens she’s looking through,” says Wilkinson. “I wanted to show that complexity: how she saw herself wasn’t how she was seen by others.”Reprinted from the University of Toronto Magazine.


More Clips from Devotion:

Dawn Wilkinson’s “Devotion” Trailer

Dawn Wilkinson Interview for“Devotion”

Fight Scene from Dawn Wilkinson's "Devotion

Alice and Grant from Dawn Wilkinson's "Devotion"

The Sally scene from Dawn Wilkinson's "Devotion"

Ja Ganesha from Dawn Wilkinson's "Devotion"

Halloween Scene from Dawn Wilkinson’s “Devotion”

More about Dawn Wilkinson

More about Devotion

AfterLife Films Youtube Channel including interviews with Dawn and clips from "Devotion"

Devotion Offical Website

Dawn Wilkinson's website

Monday, December 7, 2009

Best of CaribbeanTales 2010 : Film Festival and Symposium

FOR IMMEDIATE RELEASE

The creative industries of film and television will receive a boost this February when CaribbeanTales, a Toronto-based multimedia company, brings together formidable local, regional and international partners to showcase, discuss and promote Caribbean film at “THE BEST OF CARIBBEANTALES FILM FESTIVAL AND SYMPOSIUM” that will take place at the Olympus Cinema, Sheraton Center and at UWI Cave Hill from February 23rd to March 2nd, 2010. The Festival kicked off with a Media Launch on December 8, 2009 at 1.30pm at the Errol Barrow Center for Creative Imagination, UWI Cave Hill.

The event’s Director is accomplished Toronto-based Trinidadian filmmaker Frances-Anne Solomon, whose most recent award-winning feature film A Winter Tale has won international acclaim, and who has been a visiting lecturer at UWI. She said: “February is Black History Month and it is fitting for us to mark this with a celebration of film, to start the year with a bang and to push the discussion forward about how we can create here a sustainable and profitable industry”.

The festival is incredibly proud to partner with a number of local organisations including One Caribbean Media, that will co-host a Symposium on Global Distribution; the Shridath Ramphal Center at UWI, that will co-host a Film Market at the Festival; and the Barbados Film and Video Association, whose president Penelope Hynam said: “I am delighted that Barbadian audiences will get to see some of the wonderful films we saw at the Caribbean Tales Festival in Toronto this year, including a fantastic cross section of work by our most important filmmakers from around the Diaspora.”

This year 2010 the CaribbeanTales Film Festival welcomes 3 new Associate Directors who will work alongside Solomon to program, manage and promote the festival: Jamaican filmmaker Mary Wells, whose first feature film Kingston Paradise, recently wrapped production, and is destined for screens later in the year, joins the festival’s management team as the Co-ordinator of the Barbados event. Trinidad-based Producer-Director-TV Personality Lisa Wickham, CEO of E-Zone Entertainment, and Director of the Caribbean Film and Media Academy, (CFMA) will assist with the event production. The CFMA will also host a number of workshops as part of the festival activities. And Mitzi Allen, CEO and Co-owner of HAMA TV in Antigua, also joins the Festival as an Associate Director. HAMA will be covering the Festival, and will be seeking to bring a delegation of OECS producers to Toronto in June.

SYMPOSIUM ON GLOBAL DISTRIBUTION: Hosted jointly by One Caribbean Media and Caribbean Tales, the 1-day Symposium will feature a presentation by OCM Group CEO Terrence Farrell as well as contributions by leading international players in the distribution field.

FILM MARKET: Modelled on the Rotterdam Cinemart, and hosted jointly with the Shridath Ramphal Center at UWI, Cave Hill, selected independent producers will have an opportunity to pitch their projects and have one-on-one meetings with regional and international film and TV buyers, broadcasters, cinema owners, and government representatives.

WORKSHOPS, MASTER CLASSES, EDUCATIONAL SCREENINGS: The Festival in partnership with the Caribbean Film and Media Academy and UltimaxTV will host a number of master classes and workshops including "Lighting and Camera Operation for Film and Video" conducted by UK Cinematograher Lincoln Ascott. The Barbados Film and Video Association will host a workshop at the festival, and there will be educational screenings for high school students, alongside a week of public screenings of some of the best Caribbean and Black international feature films and shorts to be produced in recent years.

The CaribbeanTales Film Festival is North America’s only standalone festival showcasing the best of Caribbean cinema from around the world. Founded by Frances-Anne Solomon, the festival has survived, grown and thrived in the highly competitive Canadian festival scene, to become a notable event in the city’s calendar. “For our 5th anniversary we have planned a number of exciting events and initiatives to promote Caribbean film and TV, including a presence at Cannes 2010. It seemed fitting that we kick off this extraordinary year with a discussion in the Caribbean and Barbados is dynamic, central and accessible.”

Contact: Frances-Anne Solomon/ Monique Young
BestofCaribbeanTales.wordpress.com

Monday, November 30, 2009

actor.director.writer- Spotlight on Filmmaker Charles Officer

Charles Officer's beautiful film Nurse.Fighter.Boy has garnered international praise and acclaim, and will be screened as part of the CaribbeanTales Youth Film Festival on Feb 4th 2010 at 9.30am and again on Feb 24th at 1pm. Buy your tickets today, at our Early Bird Group rate - $7 til December 15th.

Actor.Writer.Director by Jean Hodgkinson

Dashing into a local coffee shop on Danforth just west of Coxwell, in the heart of his old east-end Toronto stomping grounds, Charles Officer looks around as though worried I’ve arrived and, not having seen him, departed already. Making the most of his time in between west coast shoots for his new film, a National Film Board documentary on Vancouver sprinter Harry Jerome, missed opportunities can be costly and a smile of relief crosses his face when he realizes he’s mistaken. He shakes my hand enthusiastically and unnecessarily offers apologies before ordering a coffee. He must then accept a few apologies of mine when I’m forced to dash down the street for a pair of triple-A batteries so we can record the interview. Two of a kind when it comes to first impressions, I suppose.

Having thusly put him at ease, the first interesting nugget divulged by the director/writer of Nurse.Fighter.Boy is that although he acts and directs, he prefers directing. And when he does act, he prefers the live theatre to film because it only gives you one chance to get it right. This principle applies even when he’s directing. “You have to get everything in the shot, the actors have to be on point ... I think it’s a masterful way of working,” Officer said referencing influences on his philosophy as a filmmaker, from classic European and Indian cinema to Alfred Hitchcock. “People think that doing one take is easy, but it’s actually very difficult.” And we’re back to first impressions.

After screening short films in previous years, his first feature Nurse.Fighter.Boy was widely praised at its debut in the 2008 Toronto International Film Festival. But that was only the world’s first impression. Officer recalled how one day, after years of writing and re-writing the story, one of many he was and is constantly working on, he “really decided” Nurse.Fighter.Boy was going to be the first. But the decision didn’t mean the film came easy. The growing process he experienced while honing the script was arduous as were the delays, including an actor’s strike, once filming was set to begin. And it’s not an easy task, revealing your or your family’s trials and tribulations.

“My mother was a nurse, and the black men I grew up around were constantly fighting, with themselves most of the time, but also physically fighting. I initially wrote the script, and there were never any names. They were always just Nurse, Fighter, Boy,” Officer explained. “The story is very much inspired by my sister, who struggles with sickle-cell anaemia.”

The film graphs itself onto the frame of Fate by intertwining the lives of Jude, Ciel and Silence using the themes of three of humanity’s most universally recognizable bonds: love, mortality and belonging. “It all came from these archetypal characters,” Officer said. “I wanted to create a sort of painterly, heightened-realistic presentation of some of the things that I recognized from my childhood.” But although his own experiences inform the story, it isn’t a simple re-telling of his own life.

One of the profound early impressions was his sister’s sickle-cell anaemia, a blood disorder affecting 1 in 5,000 people in the population, but 1 out of every 500 in the black community. Officer has had a chance to see the impacts of the disease on a wider scale. “There are many people I’ve been able to connect with who are sickle-cell anaemic in the community who have been alone,” he recalled when talking about response to the film. “They live with this disease, but no one knows. They disappear for a month because they’ve had a crisis and people don’t know where they are. It’s tough.”

But don’t mistake Nurse.Fighter.Boy for a “disease” film. “I wanted it to be based on a real connection between a mother and a son,” Officer stressed. Working as an emergency-room nurse, Jude is also a single mother raising her 12-year-old son in Canada because his father died when Ciel was an infant, and at the outset of the story she has two worries.

The first is saving enough money to take Ciel to Jamaica to see where he’s from. Jude’s second worry is far more serious: that the sickle-cell anaemia is slowly but surely overcoming her body’s defences and will make an orphan of her beloved son. For his part Ciel, who is well aware of his mother’s ailment, fights insomnia and loneliness while his mother is at work by listening to music, performing tricks and casting magic spells to the delight of a neighbouring girl his own age.

Both Jude and Ciel are fighters, but Silence is the retired boxer earning money by illegal street fighting. As the name implies he’s a man of few words, as is the film in general. Officer maintains the tension throughout by relying effectively on his story, choice of music and visual cues such as facial expressions and body language. Jude just happens to be on duty when Silence meets an opponent and they scuffle, sending him to the emergency room with a gash on his head. He hardly says a word to her during this first meeting but, as Officer remarked, love at first sight exists on film as nowhere else.

The tone is established from the outset. Nurse.Fighter.Boy opens with Silence trying to make amends for an uncharacteristic and prolonged absence from his boxing club. He offers the club’s owner a bottle of rum to make amends, but is calmly rebuked. A day or two later he’s greeted with the news that the owner, his mentor, has died of a heart attack. Silence decides he must now run the club so the young boxers can continue training.

In Nurse.Fighter.Boy Officer has achieved several goals, including “giving work to black actors” and delving into the universal human “fear of losing someone close.” The camera work, the lighting and shadow play, the brilliant sets, a terrific cast and mesmerizing musical score all add up to a haunting yet supremely uplifting film.

jp hodgkinson
11 novembre 2009

More about Charles Officer

More about Nurse.Fighter.Boy

View The Trailer!
_______________

The CaribbeanTales Youth Film Festival 2010 - Celebrating Black History Month screens Africentric films for audiences of high school and university students, and educators.

View The Full Festival Schedule here!

WHEN: February 2-25 2010 @ 9:30 a.m. and at 1:00PM Weekdays
at William Doo Auditorium, 45 Willcocks St. Toronto

Tickets are still available for the following films:
Invisible City by Hubert Davis
Nurse.Fighter.Boy by Charles Officer
The Tenant by Lucky Ejim
Embracing Da Kink by Trey Anthony and Joel Gordon
A Linc in Time by Nicole Brooks
The Incomparable Jackie Richerdson by Lana Lovell
Esther Baby and Me by Louis Taylor
Finder of Lost Children by Ricardo Scipio
A Winter Tale by Frances-Anne Solomon
Devotion by Dawn Wilkinson
The Little Black School House by Sylvia Hamilton
Guns by Sudz Sutherland
The Survivor's Project by Cabral "Larc" Trotman
The Woman I Have Become by Alison Duke

TICKET INFORMATION:
Early Bird Rate (pay before November 30th)
Students: $7.00
Educators: Free admission per 10 students

Tickets are available at UofTtix Box Office
(416) 978-8849 uofttix.ca
or at the University of Toronto's Central Box Office
Open Mon-Fri 11am-5pm in Hart House, UofT.

To get our SPECIAL GROUP RATES
Please contact :
Miki Nembhard,
Festival Coordinator
416-598-1410,
ctyfilmfestival at gmail.com.

CaribbeanTales Youth Film Festival 2010 - Celebrating Black History Month
is produced in association with the Caribbean Studies Program and New College at the University of Toronto,
The Multicultural History Society of Ontario, and with assistance from

The Department of Canadian Heritage through the Gateway Fund.

Tuesday, November 24, 2009

A Canadian Pioneer - Fil Fraser

Born of Caribbean parents in the East End of Montreal, FIL FRASER has been a life-long broadcaster, journalist, television program director and administrator, and a radio, television and feature film producer.

"I've been a broadcaster since I went to work for Foster Hewitt's CKFH in Toronto when I was still a teen-ager. I'm still connected as a director of Denham Jolly's Flow 93.5 radio station in Toronto. Along the way I've done everything there was to do in front of and behind the microphones and cameras, from anchoring the CBC TV Edmonton supper hour to being CEO of a national television network.

Since growing up in a French Canadian neighbourhood in east end Montreal I've always lived and worked in the mainstream (i.e. white) world. Being Black was rarely an issue in my career. There were only two occasions on which I faced overt racism, and I didn't know about the first until long after it happened. I was working at CKBB, a radio station in Barrie, Ontario in the 1950s as the Sports Director and Assistant News Editor, doing the play-by-play for the Barrie Flyers hockey games. Apparently one of the sponsors didn't like the idea of a "Black boy" doing his commercials and told Ralph Snelgrove, who owned the station, to get rid of me. It was years later, when I was being inducted into the quarter century club of the Canadian Association of Broadcasters, that Snelgrove told me about the incident. He told the sponsor to take his business elsewhere - and never mentioned it to me.

I was in Saskatchewan in the early 1960s, publishing the Regina Weekly Mirror, when a landlord refused to rent an apartment to me because of my colour. I called up the province's attorney general, who had just passed a fair accommodation practices act and told him about it. The case was the first to be prosecuted by the legislation. The company offered me an apartment, which I declined.

All of this is to say that when I grew up in east end Montreal, where maudit négre sounded like one work, and fighting my way home from school was a regular occurrence, I learned coping skills that allowed me, as I grew up, to be quite comfortable in mainstream society. In a long career in broadcasting, journalism, human rights and movie making, no one ever told me that I couldn't do what I wanted to do.

This fact has perplexed me for years. Was I just lucky? Was my career the product of tokenism? Did I just not see the racism that was all around me? It's possible that all of the above were factors in my life. But I have always been keenly aware of the subtle racism than animates so much of Canadian society, and I have very good radar to detect it. When I saw racism in my own life, I simply refused to tolerate what I perceived and volubly identified as ignorance on the part of the perpetrators. At the same time I was angered by the racism faced by other members of the Black community, and, as a journalist and later as Chief Commissioner of the Alberta Human Rights Commission, spoke out against it. My essay on being Black in Canada appeared in the 100th Anniversary issue of Saturday night magazine in 1987. Regular columns in a number of daily newspapers, including the Toronto Star, frequently addressed this issue.

So when I started making movies in the early 1970s I made them in mainstream Canada. That's where the money and the audiences were. I was not aware of anyone making Black oriented films at the time. But now, as I watch the burgeoning careers of Claire Prieto, Clement Virgo, Frances-Anne Solomon, Charles Officer, and others, I wish I were 30 or 40 years younger and could get into the game. But making movies requires the energy, the stamina and the bull headedness of youth.

So now I write books. The first was a mainstream effort, chronicling the extraordinary period in Alberta when Peter Lougheed's government provided more funding for the arts than, with the possible exception of Quebec, any other province. The second, a biography of Harry Jerome, went a long way to connecting me to the country's modern Black community. The third has put me right into the middle of it.

How the Blacks Created Canada is part of a series being produced by my publishers that tells the stories of how various ethnic groups contributed to the development of the country. How the English, Scots, French and Italians created Canada are already in print. Another author is writing about the Chinese and other volumes are in the works.

The stories of Black achievement that I have discovered are remarkably uplifting; from how Blacks saved British Columbia for Canada to how Josiah Henson became a friend of the Archbishop of Canterbury and dined with the Queen to how the Oliver/White family has, for generations, shown the way to success in Nova Scotia to how one of the best editorial cartoonists in the country is the great grandson of former slaves who moved from Oklahoma to homestead near Maidstone, Saskatchewan in 1908, the Black contribution to Canadian life has not been told.

How the _____ Created Canada should make a great film series. One of our young film makers should grab the initiative."

Fil Fraser
www.filfraser.ca

More about Fil Fraser

Fil Fraser's contributions to Canadian film and Television will be honored
at the CaribbeanTales Youth Film Festival GALA LAUNCH

Date: Thursday January 21st 2010 @ 6.30pm
Venue: William Doo Auditorium, 45 Willcocks St. Toronto
Tickets are $20 each,
Look forward very much to seeing you there!

Frances-Anne Solomon
Artistic Director, Founder
_______________

The CaribbeanTales Youth Film Festival 2010 - Celebrating Black History Month screens Africentric films for audiences of high school and university students, and educators.

View The Full Festival Schedule here!

WHEN: February 2-25 2010 @ 9:30 a.m. and at 1:00PM Weekdays
at William Doo Auditorium, 45 Willcocks St. Toronto

Tickets are still available for the following films:
Invisible City by Hubert Davis
Nurse.Fighter.Boy by Charles Officer
The Tenant by Lucky Ejim
Embracing Da Kink by Trey Anthony and Joel Gordon
A Linc in Time by Nicole Brooks
The Incomparable Jackie Richerdson by Lana Lovell
Esther Baby and Me by Louis Taylor
Finder of Lost Children by Ricardo Scipio
A Winter Tale by Frances-Anne Solomon
Devotion by Dawn Wilkinson
The Little Black School House by Sylvia Hamilton
Guns by Sudz Sutherland
The Survivor's Project by Cabral "Larc" Trotman
The Woman I Have Become by Alison Duke

TICKET INFORMATION:
Early Bird Rate (pay before November 30th)
Students: $7.00
Educators: Free admission per 10 students

Tickets are available at UofTtix Box Office
(416) 978-8849 uofttix.ca
or at the University of Toronto's Central Box Office
Open Mon-Fri 11am-5pm in Hart House, UofT.

To get our SPECIAL GROUP RATES
Please contact :
Miki Nembhard,
Festival Coordinator
416-598-1410,
ctyfilmfestival at gmail.com.

CaribbeanTales Youth Film Festival 2010 - Celebrating Black History Month
is produced in association with the Caribbean Studies Program and New College at the University of Toronto,
The Multicultural History Society of Ontario, and with assistance from

The Department of Canadian Heritage through the Gateway Fund.


Monday, November 16, 2009

Invitation to attend our Gala Launch



(Click on invitation to enlarge)

Tickets are now available for

CaribbeanTales Youth Film Festival GALA LAUNCH and Awards Ceremony

Date: Thursday January 21st 2010 @ 6.30pm

Featuring "Invisible City"
Winner of the Best Canadian Documentary Award at Hot Docs 2009
and "Hardwood"
from Academy Award-nominated filmmaker Hubert Davis.
Mr. Davis will join us for the Launch and to introduce his award-winning films.

Venue: William Doo Auditorium, 45 Willcocks St. Toronto

Tickets are $20 each,

Look forward very much to seeing you there!

Frances-Anne Solomon
Artistic Director, Founder
_______________

The CaribbeanTales Youth Film Festival 2010 - Celebrating Black History Month screens Africentric films for audiences of high school and university students, and educators.

This year the festival shines a spotlight on African-Canadian filmmakers.

View The Full Festival Schedule here!

WHEN: February 2-25 2010 @ 9:30 a.m. and at 1:00PM Weekdays
at William Doo Auditorium, 45 Willcocks St. Toronto

Tickets are still available for the following films:
Invisible City by Hubert Davis
Nurse.Fighter.Boy by Charles Officer
The Tenant by Lucky Ejim
Embracing Da Kink by Trey Anthony and Joel Gordon
A Linc in Time by Nicole Brooks
The Incomparable Jackie Richerdson by Lana Lovell
Esther Baby and Me by Louis Taylor
Finder of Lost Children by Ricardo Scipio
A Winter Tale by Frances-Anne Solomon
Devotion by Dawn Wilkinson
The Little Black School House by Sylvia Hamilton
The Survivor's Project by Cabral "Larc" Trotman
The Woman I Have Become by Alison Duke

TICKET INFORMATION:
Early Bird Rate (pay before November 30th)
Students: $7.00
Educators: Free admission per 10 students

Tickets are available at UofTtix Box Office
(416) 978-8849 uofttix.ca
or at the University of Toronto's Central Box Office
Open Mon-Fri 11am-5pm in Hart House, UofT.

To get our SPECIAL GROUP RATES
Please contact :
Miki Nembhard,
Festival Coordinator
416-598-1410,
ctyfilmfestival at gmail.com.

CaribbeanTales Youth Film Festival 2010 - Celebrating Black History Month
is produced in association with the Caribbean Studies Program and New College at the University of Toronto, and The Multicultural History Society of Ontario.

This project was made possible with the support of
The Department of Canadian Heritage through Canadian Culture Online.

Monday, November 2, 2009

Call for Submissions CaribbeanTales 5th Annual Film Festival 2010

CALL FOR SUBMISSIONS FOR THE 2010 CaribbeanTales 5th ANNUAL FILM FESTIVAL

We are now accepting submissions for our summer film festival that will take place June 8th-13th 2010 in Toronto Canada.

On June 2 2009 Barack Obama named June “Caribbean Heritage Month”, to honor the cultural, social and economic contributions of millions of Caribbean people who have made their homes in North America.

He said: “They have brought a unique and vibrant culture. Their multilingual and multiethnic traditions hasve strengthened our social fabric. They have made their mark in every facet of our society, from art to athletics and science to service.

For our 5th Festival in 2010, we celebrate our Caribbean OURStory. Artistic Director and Festival Founder Frances-Anne Solomon says: "For this milestone festival we recognise and celebrate all the different journeys that have brought us to this time and place from the corners of the world. Caribbean culture is global yet distinctive. Our stories draw on everything, and are unique for that reason. Our films reflect that"

With a growing international awareness of the Caribbean's burgeoning media industry, the CaribbeanTales Film Festival aims to entertain and educate through a series of industry panels, filmmakers' presentations, and networking opportunities, alongside 5 days of entertaining film screenings and stimulating talk-back sessions.

The much buzzed about 2009 CaribbeanTales Film Festival – “A Tool for Education and Social Change” was a huge success, screening an astounding 72 of the best Caribbean films from around the world. The festival welcomed over 50 international guests. The high point took place at our Annual Tribute Awards Ceremony that honored the careers of a number of movers and shakers in the Caribbean film industry, including Christopher Laird, Co-Founder and CEO of Gayelle (Lifetime Achievement Award) Canadian-Jamaican actor Michael Miller (Rising Star Award) Anime Caribe’s Camille Selvon Abrahams (Innovation Award), and Barbadian-Canadian actor, director, and producer Alison Sealey Smith (Award for Excellence). Internationally acclaimed Martinican filmmaker Euzhan Palcy who came from France to receive the festival’s Award of Honor spoke movingly of the impact of this Festival.

"It is most important to me that we as Caribbean people be able to express love and appreciation for each other, not just in our films, but in relation to each other. For that, I treasure this award above others." Said Ms Palcy, whose first film Black Shack Alley, produced in 1983, remains a seminal Caribbean cinematic achievement.

We invite filmmakers of Caribbean heritage, or who have a film with a focus on the Caribbean to participate in this monumental festival, North America's only stand alone Caribbean Film Festival. Please submit by March 31st 2010 to be considered for the CaribbeanTales 5th Annual Film Festival. We look forward to seeing your work!

Submissions can be sent to:
CaribbeanTales
Film Festival Submissions
99 Gore Vale Avenue
Toronto ON M6J 2R5
www.caribbeantales.ca
caribbeantales2009@gmail.com
416-598-1410

Submission Deadline: March 31st 2009

*Please note that submissions will not be returned

CaribbeanTales' mandate is to foster and encourage intercultural understanding and citizen participation through the creation, distribution and presentation of films, videos, new media and events that reflect the diversity and creativity of Caribbean-Canadian and Caribbean-Diasporic heritage and culture. Our vision is to contribute to an inclusive Canadian society by celebrating the rich traditions of Caribbean heritage storytelling.

Sunday, October 11, 2009

I NO BE NO TENANT!

Lucky Ejim and Jude Idada's first feature film THE TENANT is making waves everywhere that it has screened - in Canada, the United States, and it will soon open to enthusiastic audiences in Nigeria and across Africa. Self financed, self-produced, and self-distributed the film's success is an inspiration to us all, and a testament to the will, energy and determination of its makers.

Filmmaker Bobie Taffe produced this video profile of Lucky and Jude, the first in our Diasporic Voices series of Filmmaker Profiles made to promote the CaribbeanTales Youth Film Festival 2010.

View "I NO BE NO TENANT! Lucky Ejim and Jude Idada" on Vimeo.
.
The Tenant is just one in our program of Africentric screen gems to be screened at the CTY Film Festival, that will take place 2nd-25th February 2010 at William Doo Auditorium, 45 Willcocks St, Toronto. The full festival program is here.

Read also writer Jean Hodgekinson's beautifully written article "BEING LUCKY", which appeared first in our September '09 Ezine.


The CaribbeanTales Youth Film Festival 2010 - Celebrating Black History Month screens Africentric films for audiences of high school and university students, and educators.

Dates: Feb 2-15, 2010 at William Doo Auditorium, 45 Willcocks St. Toronto
View
The Festival Schedule here!

Tickets are available at UofTtix Box Office
(416) 978-8849 uofttix.ca
or at the University of Toronto's Central Box Office
Open Mon-Fri 11am-5pm in Hart House, UofT.

For all FESTIVAL ENQUIRIES and to get our SPECIAL GROUP RATES

Please contact :
Miki Nembhard,

Festival Coordinator
416-598-1410,
ctyfilmfestival at gmail.com.


CaribbeanTales Youth Film Festival 2010 - Celebrating Black History Month is Produced in association with the Caribbean Studies Program and New College at the University of Toronto, The Multicultural History Society of Ontario, and with assistance from The Department of Canadian Heritage through the Gateway Fund.

Friday, October 2, 2009

Ode to Claire

Dear Friends,

Reprinted below from this month's CaribbeanTales Youth Film Festival Ezine, is filmmaker Nicole Brooks' beautiful tribute to legendary Canadian producer Claire Prieto.

For anyone who has had the privelege to work with Claire over the past 30 years, Nicole's words echo all of our experience of her as an extraordinary, talented, generous producer and visionary for Black empowerment; a hard hard worker, a trooper, a foot soldier, whose approach to any obstacle has been to move each mountain one stone at a time on each project she undertakes, til the job is done.

I worked with Claire on "Lord Have Mercy", Canada's first multi-racial sitcom, produced 2001-3 by my company Leda Serene Films. She was the line producer, production manager, and producer (alongside me). I admired her work ethic, her good humor, her organisational brilliance, and her willingness to do whatever was necessary to get the job done.

One of my favorite memories of working with Claire was of ploughing through a budget line by line over a period of about a week. When we were done constructing it, she held it up like a precious work of art, and said : "I love a good Budget!". In a business full of flakes and pretension, her thoroughness was very refreshing.

She was proud to be working for a Woman of Color, referred to me as "Boss", and introduced me to the industry at large (I was relatively new in Canada at the time) as her "new Boss". I took this with a grain of salt. But one day after a long day's work, she was on her way out the door, when she turned back, grabbed my shoulders from behind, gave me a little hug, and said: "I like the way we work together." It meant alot to me because in reality she does not mince words, and holds us all to a high standard, so it was a great compliment.

After Nicole's article was published last week, I got quite a few calls and comments about it. Here is one from Claire's son, hip hop and spoken word artist, Ian Kamau:
" nicole, thanks for this. i am and have always been very proud of my mother. and i’m glad to see that she is recognized by more than just me as an amazing woman.."
Have you worked with Claire Prieto? Send me your comments and memories of what my friend Karen King (another protege) once called the "magic of Claire".

Love Frances-Anne.
__________
A Canadian Pioneer: Ode To Claire by Nicole Brooks.

An Ode to a Front Line Soldier.

This is the road less traveled. The job of a front line soldier in any battle, requires that individual to put him or herself in the gravest of danger. But for those who do take up this call, their courage and fortitude must be honoured and recognized. I salute today a particular soldier in the Canadian black film industry who fought for decades to advance the works and opportunities for filmmakers of colour. This soldier’s name is Claire Prieto.

Read More ...

_______________
The CaribbeanTales Youth Film Festival 2010 - Celebrating Black History Month screens Africentric films for audiences of high school and university students and educators.

Dates: Feb 2-15, 2010 at William Doo Auditorium,45 Willcocks St. Toronto
View the
The Festival Schedule here!
Tickets are available at UofTtix Box Office
(416) 978-8849 uofttix.ca
or at the University of Toronto's Central Box Office
Open Mon-Fri 11am-5pm in Hart House, UofT.

For all FESTIVAL ENQUIRIES and to get our SPECIAL GROUP RATES Please contact :
Miki Nembhard, Festival Coordinator
416-598-1410,
ctyfilmfestival@gmail.com.


CaribbeanTales Youth Film Festival 2010 - Celebrating Black History Month
Produced in association with the Caribbean Studies Program & New College @ U of T, The Multicultural History Society of Ontario, and with assistance from The Department of Canadian Heritage through the Gateway Fund.

Photos: Filmmaker Nicole Brooks, with legendary Canadian Producer Claire Prieto; Claire receiving Aroni Award 2007, and WIFT Chrystal Award same year; and below, Claire Prieto.

Saturday, August 15, 2009

Kingston Paradise Completes Principal Photography in Jamaica

Director Mary Wells Wraps Up Filming On A Brand New Jamaican Feature film featuring Outstanding Local Cast and Crew

(Kingston/Amsterdam, August 15, 2009)

Jamaican director Mary Wells is pleased to announce the successful completion of principal photography on her first feature film Kingston Paradise. This new gripping action drama from Jamaica now enters post-production and is expected to release in theatres in early 2010.

Shot entirely on location in downtown Kingston, the production breaks new ground as Jamaica’s first noir thriller. While the film continues in the successful tradition of Jamaican urban dramas such as The Harder They Come, Dancehall Queen and Third World Cop, Kingston Paradise employs a unique visual style along with unexpected plot elements. “Kingston Paradise tells a funky off-beat story with serious drama, exciting action, funny moments, and a philosophical twist,” says Mary Wells, who also wrote the script for the 90-minute film.

The story of Kingston Paradise revolves around Rocksy, a young Jamaican taxi driver who survives the edgy streets of downtown Kingston by hustling and pimping. Together with his prostitute Rosie and friend Malt, he dreams of the quintessential Caribbean beach paradise and the glamorous fast life. When one day they see a fancy sports car parked in front of their humble dwellings, they plot to steal it in order to make some quick bucks and to change their lives. After a thrilling car chase, they get hold of the car, but how to sell it? “And from here on they discover more about how to be and how to find their own paradise, their own peace in life along a straight and narrow path,” Wells explains.

The cast of Kingston Paradise consists of a mix of professional Jamaican actors and emerging local talent, including Christopher “Johnny” Daley (Rocksy), Camille Small (Rosie), DJ Rock Supreme/Greggory Nelson (Malt), Paul Shoucair, Peter Abrikian, and well-known veteran Munair Zacca (Live and Let Die, Royal Palm Estate, Countryman, Shottas). In addition, the film features two cameo performances by Jamaican dancehall artists Wayne Marshall and Demarco. Wells: “I feel very fortunate with this group of talented actors. For many it was their first performance in a feature, but they were all great and very committed to the project. I hope this film will inspire many young people.”

Kingston Paradise is a Jamaican/Dutch co-production between FilmeArt, which is Wells’ film company, the Creative Production and Training Centre (CPTC), Jamaica’s leading multi-media production and training house, and Caribbean Creativity, an Amsterdam-based organization that aims to stimulate and promote Caribbean film projects. “CPTC is an incredible co-production partner. They have provided all the technical equipment as well as most of the crew, and much more. Caribbean Creativity has been of great importance as well. Although operating from the Netherlands, they supported the project from the start and have brought in invaluable financial and creative input,” Wells says.

Emiel Martens, Chief Executive Officer of Caribbean Creativity, states: “Making a feature film in Jamaica is a pretty daring proposition, but Mary has been able to bring together a dedicated team of filmmakers and actors who were more than up to the job and who’s expertise will make Kingston Paradise a compelling cinematic experience for Jamaican and international moviegoers.” Other members of the behind-the-camera crew include Director of Photography Quarry Bastfield, Camera Assistant Michael Edwards, Sound Recordist Andre Bidwell, Production Designer Suzana Da Silva Gregory, and Wardrobe and Make-up Stylist Sandra Gayle. The film was made with financial support from the CHASE Fund and sponsorship from Lucazade, Burger King and Motor Sales.

Kingston Paradise has the potential to become the next cult flick out of Jamaica. “The story is very Jamaican, very Caribbean, and has a look and feel that people worldwide will hopefully respond to,” Mary concludes.

For further details about the film, please visit us on FaceBook, and on the upcoming official website www.KingstonParadiseMovie.
com soon, or contact info@caribbeancreativity.nl.

Thursday, July 30, 2009

CaribbeanTales is proud to partner with the Harbourfront Center's Island Soul Festival

Caribbean Tales Presents An Exciting Day of Films at the Harbourfront Center's "Island Soul" Festival

Caribbean Tales Annual Film Festival is proud to partner with the Harbourfront Centre to present a day of exciting film screenings and thought-provoking Talk Back sessions at the Island Soul Festival.

Curated by Caribbean Tales’ artistic director, Frances-Anne Solomon, an accomplished filmmaker, writer, director and producer, the day promises to be one you don’t want to miss.

Diasporic Documentaries
August 2, 2009 1.30pm

Featuring a selection of dynamic documentaries from the Caribbean and it's Diaspora.

Alex Cuba: The Making of Alex Cuba by Safiya Randera

From the Cuban countryside to rural British Columbia, discover Juno winner Alex Cuba. The Making of Alex Cuba observes the artist in his emerging success as an international musician from recording in Havana's famous Egrem Studios through behind-the-scenes footage of the upcoming music video, Tu Boca. Join Alex Cuba as he looks within his own history for discoveries on bridging culture through music. (24 min)

The Insatiable Season: Making Carnival in Trinidad and Tobago by Mariel Brown

The Insatiable Season: Making Carnival in Trinidad and Tobago, a documentary production of SAVANT Ltd, was launched in January 2008, just in time for carnival. "The Insatiable Season is ... a film that, simply and appropriately, finds joy in the mundane romance of putting a mas together, from the conceptualising of the band to the construction of the costumes . . . and yes, in the end, to wining down to the ground come Carnival Tuesday. . . This is a highly enjoyable film, not least for the bits of candour it is so adroitly able to capture." --The Caribbean Review of Books, August 2008

Ramabai Espinet: Coming Home by Frances-Anne Solomon

Ramambai Espinet visits her home town of San Fernando, Trinidad. What was planned as “a simple, nostalgic trip” soon becomes a fascinating journey into a brilliant writer's personal history and cultural heritage. (44 min)

TRINIDAD EXPLOSION
August 2nd, 2009. 5pm

A spotlight on the explosion of new film and television work from the twin islands of Trinidad and Tobago.

Bacchanal by Lisa Wickham

Music video from Destra Garcia's 2009 abum, Hott. (4 min)

Mami Wata by Yao Ramesar

An Orisha ceremony at the feast for Yemanja, the water goddess, at Salibiya Bay in Trinidad whee the river delta meets the sea. (11 min)

Reunion by Frances-Anne Solomon

In 1943, three hundred middle class "coloured" women from across the West Indies were recruited to the ATS, a branch of the British Army. This documentary documents for the first time the contribution of these women to WW2.(25mins)

Carmen and Geoffrey by Linda Atkinson and Nick Doob

This beautiful feature documentary is about the work of two exceptional artists, dancer and choreographer Carmen de Lavallade and director, painter, choreographer and designer Geoffrey Holder, who stepped forward in the 1950's to play a vital part in the newly energized world of American modern dance. It is also about a fifty-four year long love affair and the creative partnership that sustained their accomplishments. (80mins)